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Well, as it turns out, the city provides more than adequate sparkle, and I have no need of chemical augmentation.
Imagine the Castro Street Fair covering a quarter of San Francisco.
Just as in SF, vehicular traffic is banned from the thronged streets, and there is a double row of street vendors.
People drink anything they wish freely in the streets, and there is a lot of well-amplified music, not only from bands
but also from upper apartments with speakers in the windows. Some street vendors are selling food, of course, and
there are others selling arts and crafts. Most restaurants have some kind of booth in front from which they sell a few items.
And then the differences begin. Here, there are vendors selling flea market items, pretty much everything. And in
the residential areas, the great majority of the houses feature garage sales with the entire household out there, and
the focus seems to be less on the commercial aspect than on the social.
And then there are the canals. They are full of boats ranging from barely more than rowboats with an outboard motor
to giant canal boats full of tourists, but most especially there are flat boats on which there are powerful amplifiers
blasting music to which a shoulder-to-shoulder crowd dances, rather like a float in a parade.
At least this is what it's like in the Jordaan, where Rafaël and I go at noon. We join the crowd on the streets,
which seem to consist mostly of couples although there are small groups and a fair number of kids with one or both parents.
Seeing the young couples hand-in-hand makes me think of Allen's friend Laura, who had this boyfriend who was as
gorgeous as he was studly, but who, if she had to pick a flaw, wasn't as demonstrative as she might have liked. This
changed immediately when she moved into the Castro. When they went out in the neighborhood, in which in the early
eighties the pedestrians were overwhelmingly gay men, he started keeping at least one hand somewhere on her at all times...and
encouraged her to do likewise. Alas, as she said, it was too good to last.
But anyhow, Rafaël and I are out with the idea of strolling down Raadhuisstraat and then drifting over across
Prinsengracht to the Duende so we can see Rita's group of flamenco singers perform. Raadhuisstraat is a hoot, and you
see wonderful culture-clash sights....like the Peruvian Indian woman playing on that South American
panpipe a haunting melody which after a few moments I realize is "The House of the Rising Sun."
That scores three continents and maybe
twice that many cultures.
Unfortunately, I'm having such fun strolling along Raadhuisstraat that I neglect to steer us right onto the Prinsengracht,
which ended up complicating the journey quite a bit. I didn't really notice this, but at Prinsengracht Raadhuisstraat
takes a bend of which, to quote Gertrude Stein, the asperity is subtle. This has the effect of pretty much doubling
the distance between the grachts.
So when we come to Lijnbaansgracht and I realize that I've overshot Prinsengracht,
I'm not concerned because I know that all I have to do is turn right on Lijnbaansgracht and then make another right on any of
the next few streets, and
we'll run right back down to Prinsengracht.
The increased distances, though, cause Rafaël to experience a loss of confidence, or perhaps I could more accurately
say that he senses my own loss of confidence and articulates it...repeatedly. But we eventually get back onto
Prinsengracht and are much relieved when we go past Els and Rene's bar and Rene reassures me that the Duende is where I
think it is. Neither of us knows the name of the street it's on, but we have it pretty well triangulated. No prob.
Well, no prob except for the increasingly packed streets where simply moving forward has become a contact sport.
The canals, likewise, are jammed:
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